News & Reviews

Glass (Ballet) Slippers: Ballet Quad Cities' "Cinderella" at the Adler Theatre

4/22/2013

Written by Thom White
April 22, 2013
There were two particular elements that made Ballet Quad Cities’ Cinderella (which ran for two Adler Theatre performances on April 20) especially watchable beyond Courtney Lyon’s exquisite choreography: clear storytelling, and humor. Not at one moment during Saturday evening’s performance did I find it hard to figure out which part of the fairytale was being depicted in dance, even down to the details of what specific characters were doing and feeling at all times.
TO READ ENTIRE STORY CLICK HERE


Dancer instills confidence in Cinderella, vice versa

4/19/2013

April 18, 2013
By Jonathan Turner, jturner@qconline.com

In Emily Kate Long's lithe, poised, precise body, the fairy-tale heroine Cinderella is not some dainty waif waiting to be rescued by a handsome prince. She calls the shots and gets the guy her way.

The 24-year-old Rock Islander embodies the title role for Ballet Quad Cities in Sergei Prokofiev's 1945 setting for the second time.

TO READ ENTIRE STORY, CLICK HERE


"Cinderella" is enchanting pairing of Orchestra Iowa and Ballet Quad Cities

4/14/2013

By: Diana Nollen
CEDAR RAPIDS — Cinderella charmed her handsome prince and enchanted young and old alike at the Paramount Theatre on Saturday night. (4/13/13) It repeats at 2:30 p.m. today (4/14/13).

Before the show even started, a sweet little girl behind me couldn’t contain her giddiness and declared to her parents: “I can’t wait to see Cinderella.” As the audience was exiting 90 minutes later, a distinguished gentleman turned and said to his friends: “Aren’t we glad the ballet came to town.”

My sentiments exactly. This new pairing of Orchestra Iowa and Ballet Quad Cities is magical indeed.

The two entities brought Sergei Prokofiev’s 1945 ballet to its toes and a large audience to its feet with an evening that kept even the tiniest princesses enthralled. I heard no fussing, saw no squirming, but did notice plenty of souvenir tiaras bobbing through the lobby afterward. The little girl behind me was hoping to snag a magic wand during intermission. She happily settled for a candy bar.

The orchestra, as always, was magnificent, weaving through music that’s no fairytale to play. This is a demanding score that perfectly captures the flavor of every moment and propels every twirl of Ballet Quad Cities’ immense artistry.

Hoofin' It: Ballet Quad Cities' "Love Stories: Love on the Run," at the Scottish Rite Cathedral

2/18/2013

River Cities Reader Review
Written by Thom White
Monday, 18 February 2013

While bearing the same title as 2012's Valentine’s Day-themed offering, Ballet Quad Cities’ 2013 Love Stories: Love on the Run – two performances of which were held on February 16 – offered several new short pieces along with “Newsflash,” one of my favorites from last year’s presentation. And Saturday night’s entertainment delivered a mixture of sensuality, flirtatiousness, and exquisite beauty, culminating in a romantic experience that left me doe-eyed with emotions linked to love.

Q-C dancer transitions to coach and creator

2/14/2013

By Jonathan Turner, jturner@qconline.com

Maggie Huling's maternal grandfather recently died in December, but his love of dance and jazz lives on in her original choreography for this Saturday's "Love Stories" byBallet Quad Cities.

"I attribute a lot of my artistic instincts to growing up around my grandfather," the 30-year-old native of Kalamazoo, Mich., said this week. "A lot of my movement in the piece comes from me dancing around with my grandfather."

Experience the Quad Cities With Ballet Quad Cities

2/4/2013

Feb. 02, 2013 QCOnline  Argus/Dispatch
-- Year founded and mission: Ballet Quad Cities was founded in 1996 by executive director Joedy Cook. Our mission is to provide professional classical and contemporary dance to the entire community through outstanding performances, entertaining lecture-demonstrations and innovative educational outreach programs for people of all ages.

Nutcracker passes muster with a youthful audience

12/8/2012

David Burke, Quad-City Times

Feel free to clap when you see something you like, Ballet Quad-Cities executive director Joedy Cook told more than 1,000 grade-schoolers who were at the Adler Theatre on Friday.

And by the time the 1-hour, 45-minute production of “The Nutcracker” was finished, quite a few of them ended up with sore hands.

 

Ballet Q-C triumphs again with Nutcracker

12/7/2012

Jonathan Turner, Dispatch//Argus

DAVENPORT -- "The Nutcracker" ballet is magical on so many levels.

The mesmerizing, sumptuous 1893 score by the romantic Russian Peter Tchaikovsky. The merry Christmas Eve setting, with a mysterious toymaker, presents, and life-size dolls. An enchanted dream as a nutcracker and rat king do battle, and the old nutcracker is transformed into a dashing young prince. The wondrous sights of dancers cavorting beneath falling snow. And the exoticism of a "Land of Sweets" and its parade of varying cultures and choreographic treats.
 

'Nutcracker' will dance into Adler Theatre this weekend

12/6/2012

Ballet Quad Cities will team up with Orchestra Iowa, based in Cedar Rapids, this weekend to present a holiday classic, "The Nutcracker."

Performances will begin at 1 and 7 p.m. Saturday, Dec. 8, and 1 p.m. Sunday, Dec. 9, at the Adler Theatre, 136 E. 3rd St., Davenport.

According to a news release from Ballet Quad Cities,"This weekend marks the return of 'The Nutcracker' to the Adler Theatre stage, with an incredibly important component -- a live, professional orchestra."

Following the 7:30 p.m. Saturday performance, audience members are invited to a reception in the lobby of the Hotel Blackhawk in Davenport, beginning at approximately 9:30 p.m., where they can mingle with the Ballet Quad Cities dancers and Orchestra Iowa musicians, and enjoy light appetizers and beverages. A cash bar will be available.

Tickets are $12, $17, $27 or $35. They are available at the Adler Theatre box office, online at ticketmaster.com, at (800) 745-3000, and at Ticketmaster outlets.

ARTS ALLIANCE OPENS FUTURE: Q-C ballet, Cedar Rapids-based orchestra debut partnership

12/5/2012

David Burke, Entertainment Editor
Quad-City Times

They’re still in the throes of the honeymoon phase of a long-distance relationship, but both of them believe they’re in it for the long haul.

And if the response from the performers, directors and audience at this past weekend’s performances of “The Nutcracker” is any indication, it’s a perfect match.

 

 

REVIEW: ‘Nutcracker’ shines with glorious, magnificent artistry at the Paramount

12/1/2012

CEDAR RAPIDS — “The Nutcracker” is a shimmering, triumphant pas de deux for Orchestra Iowa and Ballet Quad Cities.

Ballet QC unfurls a spooky, sensual 'Dracula'

9/27/2012

MOLINE -- In its 16th season opener, Ballet Quad Cities performs for the first time at the Scottish Rite Cathedral, 1800 7th Ave. A heavenly, sexy, melodramatic production it is -- the timely and timeless gothic tale of love, lust, horror and death, "Dracula."

Cheers to Ballet Quad Cities!

6/29/2012

Cheers & Jeers

Posted Online: June 29, 2012, 1:08 pm
The Dispatch and The Rock Island Argus

Ballet Adds First Development Director

6/27/2012

Ballet Quad Cities now has the first development director in its 16-year history.

Ballet Q-C finds 'Love on the Run'

2/17/2012

For those who like dance in bite-size pieces, Ballet Quad Cities brings back a tasty buffet of "Love Stories" this weekend.

There are seven wildly varying romantic pieces on the program -- the company's first in Augustana College's Wallenberg Hall -- including new dances by five choreographers.

Performing, sharing her art keeps Q-C ballerina on pointe

2/4/2012

ROCK ISLAND -- The peach ballet shoes soon will wear out, but they're an extension of her body for now.

"I started pointe when I was 12 years old. They've been a part of my feet for a long time," Margaret Huling said.

10 Questions With Jacob

10/7/2011

Interview with Jacob Lyon by 4dancers, a blog for dancers, dance teachers and others interested in dance.  Learn more about Jacob Lyon, who is in his tenth season with Ballet Quad Cities.

>> More News & Reviews
Community Partners:










JOE MACIEJKO

 

 






 


 

 

Performing, sharing her art keeps Q-C ballerina on pointe

2/4/2012
ROCK ISLAND -- The peach ballet shoes soon will wear out, but they're an extension of her body for now.

"I started pointe when I was 12 years old. They've been a part of my feet for a long time," Margaret Huling said.

 
By Lindsay Hocker, lhocker@qconline.com
 
ROCK ISLAND -- The peach ballet shoes soon will wear out, but they're an extension of her body for now.

"I started pointe when I was 12 years old. They've been a part of my feet for a long time," Margaret Huling said.

The wear and tear from constant use means that each pair of shoes, which allow ballerinas to dance on the tips of their toes, usually only last a week for the Ballet Quad Cities dancer.

"Since I've been here, I've gone through roughly 25 to 30 pairs a year," she said.

The Ballet Quad Cities contract is about 28 weeks, beginning in late August and ending in May. Ms. Huling started dancing with Ballet Quad Cities in 2004.

She said pointe shoes are constructed from layers of fabric and glue, and some fit perfectly, while others don't feel quite right. "They're all handmade. Like dance, they're not all the same," she said. When she finds a perfect match, she tucks them away for performances.

Before putting on this pair, she first folded up paper towels. She slipped an "ouch pouch" stuffed with paper towels over each foot before putting on the pointe shoe. Ms. Huling said the paper towels provide some cushion, "so my toes don't get bruised."

She always had blisters growing up but doesn't get them often now. "The older I've gotten, the tougher they've gotten," she said of her feet.

When Ms. Huling rises to her toes her focus is on making her entire body's movements exact -- from the expression on her face to the reach of her arms to the angle created where each foot meets the ground.

She has no memories of life without ballet.

"I was the little girl watching full-length ballets on VHS instead of TV," Ms. Huling said.

She spent a lot of time growing up at the ballet studio run by her mother, who still teaches ballet and once danced with Grand Rapids Civic Ballet in Michigan.

"I grew up a 'classical bun-head,'" Ms. Huling said.

She started taking dance lessons at age 3 at her mother's studio and joined Ballet Arts Ensemble, a youth ballet, when she was 12. During her last two years of high school, she took college-level ballet classes at Western Michigan University as part of the dual enrollment program through the Kalamazoo public schools.

In college, Ms. Huling majored in ballet and earned a bachelor of fine arts at the University of Cincinnati College-Conservatory of Music.

The 29-year-old dancer said her favorite part of dancing is performing. She said the work ahead of a performance can get repetitive and be frustrating, but the performance itself is "a big release. It's what we work for."

Ms. Huling said performing means she gets to share her art, which is what she loves to do. She still gets butterflies when she takes to the stage.

"Overall, when I'm on stage, my body feels happy," she said.

Because ballet dancers do not speak on stage, Ms. Huling said performing is "telling a story with our body language" and acting without words. "You have to show it," she said.

Sometimes telling the story can be extra challenging. In 2010, for the role of Tatiana -- a Russian ballerina, vampire and princess from the book "I, Vampire" -- Ms. Huling said she "really had to dig in" and "try to find a way to interpret this character from a book without seeing it anywhere else." She watched videos of Russian ballerinas and changed how she moved.

Ms. Huling knows she wants to perform for a few more years, but she isn't sure when she'll stop.

"I plan to dance until I ..." she said, trailing off before adding that it was a hard question to answer. "I'm not ready yet. I think the day I'm ready, I'll know." She has no intention of letting go of dance completely when that time comes, though.

"I would love to continue teaching and choreographing. I'd love to do more choreography," she said.

Ms. Huling choreographed "Configurations" for Ballet Quad Cities a few years ago and has choreographed one of her mother's shows.

In October, Ms. Huling became ballet mistress for Ballet Quad Cities, which means that, in addition to performing, she spends some time teaching the professional dancers and running rehearsals.

"This is a direction in my career I was hoping to go," she said. "If everything goes well, this will make my transition out of performing a lot easier."

Ms. Huling said she's learning how to become more of a leader in the company. "I have seen this company grow so much over the past seven years. My hope is I can help to make it even better," she said.

Ms. Huling has taught ballet students for Ballet Quad Cities School of Dance since she moved to the Quad-Cities to dance with Ballet Quad Cities in 2004 and also has taught at her mother's studio.

"What I love about teaching is being able to pass on the legacy of dance to students, the younger generation," she said.

On a recent day, the quiet studio was transformed as Ms. Huling's students filed in, chatting away before heading into class. All wore their hair in buns and peeled off their outer clothes to reveal black leotards and white tights.

Once class was underway, Ms. Huling moved throughout the room, nudging the students' feet with her own when they weren't placed quite right, correcting other movements and giving compliments.

"Nice!" she said to one girl.

Later, Ms. Huling reminded them to think about their heads, noting that they shouldn't forget about anything else, either, such as their legs.

"This portrait is very important," she said, indicating her face with a motion of her hand. "The general population is looking right here."

She gave them more instructions and then momentarily could not find the word she wanted them to embody.

"What's the word?" she asked.

"Proud," a young brunette said clearly.

She was right.

"Yes, proud."





Living the dream

Who: Margaret Huling, professional ballet dancer and ballet mistress for Ballet Quad Cities

Quote: "Overall, when I'm on stage, my body feels happy."
rss